Tuesday, 30 October 2012

Bridge that gap

I've written before about building rope bridges among the trees and how fantastic they are for children's motor development, encouraging social skills and confidence and being loads of fun.

What I have also found is that adults who work with children are equally as fascinated and enjoy learning the skills of tying the knots. I thought I would leave some notes here for a refresher for anyone who needs it (you know who you are :) and to maybe inspire you to have a try at tying rope bridges if you haven't yet.



I'll put in links to animated knot videos and drawings to help you along if you need it, but here's the thing about knots, some people learn by watching, some people learn by listening, some just have to have a bit of string and be shown. That's the way different people learn and it doesn't mean one way is better.

Trees:  you want to tie ropes from trees that are solid and secure. Give them a good look over, lean against them and look up noticing if they move too much when you put weight against them. Check there are no dead branches in the crown of the tree that could show a weakness or cause problems. Choose trees that are a good size, not so massive that all your rope gets used up tying on to them but big enough.

Protection: If you are going to leave them up and the tree are smooth skinned like beech or young ash trees etc then put something like carpet or thick fabric under the ropes to protect the bark.


Rope: I use 10ml (or thicker) polyprop rope. It's that cheapish blue stuff. Climbing rope can be too stretchy unless you have static climbing rope.
For length go for two pieces that are as long as a piece of string (!). Mine are about 10 metres each.

Once the children are interested in the idea I encourage them to be fully involved in tying the bridges, taking over completely after the first couple of times with my help. The older children tend to make them more challenging, going up slopes or with non-parallel lines.


Tying the knots: First end is wrapped around the tree three or four times. Tie with a couple of half hitches. The turns around the tree take the pressure off the knot

Wrap the second end of the rope around another tree, leaving a long long tail. go around the tree once and pull it tight "heave, heave etc",  I love getting the children involved at this stage, it takes much longer this way but is so much more fun and they definitely use the bridges more if they have built them.

The working end of the rope then goes over the top of the standing end and back round the tree in the opposite direction.
This is quite heard to type how to do this bit, so I have done a couple of doodles that may (or may not) help.


This end of the rope is tied to another tree.
                     This end of the rope is doing all the work.
           


























Repeat this 3-4 times so the rope is pulled tighter each time.







The zig zagging of each turn, pulled really tight, with more of the "heave, heave" shortens the rope. It is this which pulls it tight.


With the end of the rope, wrap it round and round in a twizzly timber hitch. This stops it over-tightening and is why you need to make sure you have a long long tail on your rope. If you haven't got a long end on the rope then a couple of half hitches works well but can get a bit fiddly to untie


Repeat with the second rope, about a child's height above the first rope. They don't need to be far of the ground to be challenging and the wobbliness adds to the physical challenge.                                                      
                         
                                               


Let me know how you get on! 



Tuesday, 16 October 2012

What happens in Forest School

There are some projects that really stay with you. I worked with Brudenell Primary School in Leeds for over two years, helping them embed Forest School into their curriculum, and providing training and support.

I also ran lots of Forest School programmes with classes across the school from reception through to year 5.At the end of term the school go together to the local cinema and put on a film of the year's highlights. I put together a film of the Forest School projects, which I thought I'd share with you too.

It reminds me of the stories that emerged, the children and their journeys behind the vignettes.






Thursday, 11 October 2012

Reflections on moving from survival to thrival

I have recently come back from a month long trip deep into the wilderness in NW Ontario, Canada. Which almost explains how quiet I have been here recently. It has been a lot to process.

I have talked before about how I the work I do encourages children to challenge themselves and as an adult who supports that then I should be doing the same. But this trip was more than personal challenge (although there were days like that) It was an opportunity to deeply immerse ourselves in nature, to take things at our own pace for weeks at a time and to adjust our rhythms to those of the world rather than the clock.

Sunrise from our camp on West bay.
Photo Tim Rowe

My partner and I packed three weeks worth of food into our packs, travelled to a remote little outfitting town just north of the Quetico Wilderness Park where we picked up a canoe and then quietly slipped off into the woods and lakes for three weeks paddling, portaging and a change of pace. It's the second time we have been to the boundary waters wilderness and with over a million acres of lakes and forest with no roads or houses, there is a lot to take in.

The view from under the canoe, walking a portage trail between two lakes.
Photo Tim Rowe

This trip was different though, I was trying to explain it to a friend and said "we moved from survival to thrival" I had made up a new word, I admit it. But that sense of moving from just coping and surviving to something greater, I needed a word that described a concept just right. As with all the best things I found that someone else had also come to the same realisation.

Early morning paddling. My partner makes these paddles.

One of the key things for me that felt different was our desire to create and how much time we gave to making things. Carving a sculpture from an interesting bit of firewood, making a spoon from a beaver felled greenwood branch, baking... lots of baking, fresh bread and cake every few days and firing our own pottery.

Carving a spoon

We had been told to watch out for one particular trail between two lakes as it was deep clay and it becomes very difficult to walk across if it has been raining. Inspired by sculptures we had seen in the Museum of Inuit Art in Toronto the thought of a cache of deep clay lured us in that direction.

Digging clay from the side of a trail


Shaping the clay

These birds were based on the loons that were often found
swimming around us on the lakes
I have read quite a lot about pit kiln firing and tried a few experiments but we didn't want to make the impact in the environment of digging a pit. So we gradually heated the dried clay things by the fire, bringing them closer and closer to the ember bed, then putting them in the embers. This took about half and hour.


First we added fine twigs and pine needles to the embers to bring the level of heat and cover the clay things, adding bigger and bigger twigs until they were covered and a small fire was burning. 

We added larger pine, birch and conifer twigs until the fire burned really hot. This took another half hour or so and even though the temptation and the heat was unbearable we kept the fire burning at a high temperature for another half an hour. We could see everything glowing red in the fire. Despite wanting to peek we let everything cool down slowly before raking the coals aside to reveal our hoard.
Uncovering the fired clay

Our haul of clay fired goods
When Maslow talks about creativity he talks about self actualisation; "the full use and exploitation of talents, capacities, potentialities" and that these emerge when physiological and safety needs are met. Having experienced the environment and challenge once we were able to find new potentialities in that environment and in ourselves.

Through our experience of thrival I feel like I have managed to empty all the accumulated clutter or everyday experience, strip things back a bit, get a bit of the rawness back in, push myself, to laugh when I have been dragging a canoe all day through an impassable swamp that looks like a river on the map, enjoy, immerse in nature and take time to be. Oh yes that's why I do it.
My new Quetico clay necklace

Sunday, 1 July 2012

Did you play in the mud today?

There are certain elements that regularly feature in my work life; fire, tools, cooking outdoors, climbing, bows and arrows and mud!


To celebrate International Mud Day (29th June) I've collected together this weeks adventures that involved mud. Some of them planned, some spontaneous.


One of the groups of children I am working with in the woods as part of a Forest School project wanted me to set them some challenges so i did. They were all themed around mud but built on the different interests that the group have shown in previous weeks.

Some of the group really like cooking so one of the challenges was to write a recipe that someone else could follow. They spent a lot of time swapping recipes and trying out different ideas.







Some of the other children in the group have been really getting into making bows and arrows so I supplied them with a load of international mud day targets and the challenge to make something that would fire mud at a target.









Their solution was ingenious it was a kind of flippy catapult but it was not quite as effective as their arms as they  got into a mud flinging mud fight! 


Sadly no photos exist of the next bit, which got very muddy.


We always take the same route into the woods and often we find patches of mud to squlech in, puddles to jump in and tracks of people, dogs, bicycles to follow. The journey is an important part of our sessions. Stopping and checking changes; will the muddy spots be there? Will it have dried up? or will it be really really muddy this week?

One of the other groups buried a jar of treasure in the woods last week. Despite us drawing some excellent maps they were not quite accurate enough to find the treasure again so we had to do a lot of digging. 






But, eventually we did find the treasure and then buried it again, and then dug it up, and then buried it and then dug it up and then.....



This boy in particular didn't leave this muddy spot for almost all of the session. Mounding and making exploding volcanoes and digging and feeling the earth with his hands. 




And that is what International mud day is about. Connecting with each other by connecting with the earth, This universal, fundamental element from which we can become disconnected. Some of girls who set up the cocktail lounge above have been really phobic about dirt, touching things and getting their hands dirty or sitting on the ground. So them accepting the mud day challenges felt like a significant step in their growing resilience and willingness to get stuck in and try new things. 

I talked in my last mud post about the importance of equipping children with what they need to try new things. At a family gathering last weekend I made sure my nephew had something to cover up his clothes so that his parents would be happy about him getting stuck in and then I put out this inviting setup for him. 


 He had a wonderful time mixing, stirring, collecting, directing, and creating wonderful recipes. "I am the one who does the cooking, I make the food for everyone."


Mud is always there waiting for us, not just for this one day. Soup and cakes anyone? Cheers!

Monday, 25 June 2012

Baui means build, speil means play, platz means place.

For a few years I managed the transition of the only self-build Adventure Playground in Bradford, the Big Swing, from the statutory into the voluntary sector. Supporting the staff and managing the site through a period of transition gave me a real insight into the value of Adventure Playgrounds and the capability of children and young people.

In April this year I spent a week in Hamburg and Berlin with a study tour for play professionals co-ordinated by ip-dip.com and www.meynellgames.org. The tour took us to scrapstores, public parks and playspaces, community provision, waldkindergarten and green school playgrounds. We also visited a number of Adventure Playgrounds in both cities.


We first heard about the Adventure Playground movement in Hamburg and Berlin from Christe-Beate of the European Play Association (EPA). She was one of the first women to work on an adventure playground in Germany and a real advocate for play. What we hadn’t really understood was how the playgrounds fitted into society in the two cities;


Bauispeilplatz is known locally as 'the Baui'. Baui means build, speil means play, platz means place. I do love a German compound noun! 

Tony from the EPA playground invites us to visit the Baui with him. It has been open for nearly 30 years, since 1984. The tall tenement style houses crowd around the playground but mostly relationships with the local people are good, especially after the death of the Baui cockerel!



Armin, one of the playworkers, talked to us about the Adventure Playground and the things that children can do; jumping, building huts, lighting fires, arts and crafts playing football and keeping chickens. So far so familiar; but if you have never been to an adventure playground this doesn’t really convey a feeling of the place. The very first adventure playgrounds in Britain in the 1950’s were called "junk playgrounds" or "waste material playground" and this gives more of a sense of how a good adventure playground looks. 

“The junk playground should be characterized by signs of wear and tear. It should be a safety valve to children whose town existence otherwise keeps them nice and well-ordered.
John Bertelsen (1959)


The Baui definitely lives up to this description, like a refugee camp of the anarchies of childhood with heaps and piles, self expression and half finished and half started projects. This was also the day that I managed to completely break my camera in a game of tig-off-ground. This can be a dangerous place. Armin talks about the perception of how dangerous the playground looks; "children are not stupid, they can see dangers and learn to handle them and experience them and go to their limits. It is better they go to their limits here rather than in the Reeperbahn (the red light district two streets away) or with drugs" There are very few serious injuries. In 18 years Armin has seen 3 or 4 serious injuries. But many small injuries occur. 




Kai and Lukas are both young people who have grown up in the playground. Kai has been here 15 years, I ask him; "does it look the same?" "No! No way. It always changes." he describes himself as a child of the playground, a native. On an average day 90 children come to the Baui, mostly from close by, within 500 meters of the gates. The philosophy is that the gate is always open. No age limits, tiny children up to older teenagers. Parents come too, for advice, support and to socialise.



Most funding for the playground and the projects come from the City of Hamburg through Youth Project, Preventative and Social Deprivation funding streams. "Applications each year are the sword of Damacles"!  Although the Baui has been very lucky, or very creative and has escaped the worst of the cuts, the Ministry of Social Affairs is restructuring work with young people and there will be a move to another department which will inevitably bring about a new agenda, based more on individual interventions. The staff feels this is a contradiction to the philosophy of 'open gates' and makes the Baui become part of the authority. This may change how the baui is seen by the locality. On the day of our visit talks are going on at the town hall that will influence their ability to offer open access in the future. Charitable funding only makes up 5% of budget. Charitable funding is not an established way of working in Hamburg. 


Well ordered tool systems. I take note; hammers, numbered. With
 a board showing who has each hammer. Tickets issued with tools.
Changes to the school day in Hamburg are impacting on the playground. Children used to come after school at 1pm and eat lunch with the staff in a big communal meal, but this ended now the school day ends at 3pm . Some schools in St Pauli now send school groups here as part of the school day. The children come with the teacher, the playground offers activities but fundamentally what takes place is free play determined by the children. "Lessons after the Baui are calmer, when the children go back to school."


The change in the structure of the school day was seen to be a challenge at first, but actually by working closely with schools they are meeting and working with more children and families. They also do 'play actions' in schools and take groups out canoeing, on camping and hiking holidays to the countryside. The playground is relied on by many families to help them with things like reading letters or helping with social issues. 


There are 20+ playgrounds across Hamburg, all of which work in different ways. The playgrounds network together once a month and this playground is also part of local networks. They use these networks to support children who are finding it hard to access other provision. 

We have lunch at the Baui, this is still such a traditional part of the Baui day, staff, children and visitors all sit down together and eat. When children finished school at 1pm there would be lots of children here but today there are a few young people and 3 or 4 children under 12. Annie tries her German on one boy who is making faces at the green bits of leek in his soup. "Es ist grün" :(   Annie asks him in German if he thinks it will make him big and strong to eat his greens. A member of the staff asks again if he thinks so. "I don't understand English" he replies, poking his leek with his spoon. "But, she asked you in German!"... 


As everyone arrives there are greeting and hugs for staff and young people alike. There is a very relaxed family feeling.  Armin says that he has worked with generations of the same family, Bettina, who was one of the founders in 1984 still works here and I imagine there will soon be grandparents of children who come to the playground who were children on the playground themselves.

The hen house

We had passed another adventure playground when we had been walking around Hamburg, then, from the train we spotted another that looked very interesting so we ranged through the Sternzschanze and St Pauli districts, following(ish) the line the train had travelled. Annie's nose for direction is impeccable and we found another local adventure playground that is also protesting against the same cuts. It is closed now but we peer through the fences and look at the posters and signs on the fence. The realisation strikes us, we have seen playgrounds similar to these in the UK, some of our group have worked in or on them, but they are not in every neighbourhood like this. A map of all the playgrounds protesting the cuts shows the scale, and these are old, established parts of the community.


The dots on the map; bottom left, show the members of the
  bauiplatz association in Hamburg
When we move onto Berlin there are more chances to visit Adventure playgrounds. Founded on 2nd April 1990, less than 6 months after the fall of the Berlin wall, Kolle37 was the first adventure playground in former East Berlin. The impact of such provision in the political climate of the time is hard to fathom. It must have been a phenomenal leap for the staff involved, the organisation symbol has within it the anarchy sign and this speaks to me of how radical it must have felt at that time to be creating a project like this. 



Martin, who was the originator of the project, tells us that the things that most adventure playgrounds have in Germany are hut building areas, a fire place, the use real tools and places to keep animals. He describes the playground as a combination of 3 elements:
"- Dangerous supervised situation.
- You can build up and destroy.
- Social connections are needed, you cannot build a hut alone." 
The hut building area is at one end of the playground. They take it all down every year and then hold a hut building festival between March and June and rebuild. They have a well set up craft workshop, with a Blacksmith's forge and power tools. There is a replica stone age round house on the site which is used with schools for teaching lessons about stone age technology and history. There is an area designed for smaller children and when we look around there is a group of 2-3 year old children attending Kindergarten sessions. 


The kinder area

The main building on the playground was finished in 1999 and is the heart of the company Netzwerk Kultur/Speile . The main foyer is big enough for all the tables which are used for lunchtimes with the children. There have not yet been the reforms to the school day like there is in Hamburg so children finish school at lunchtime, they also have space they can go and do homework before going out into the playground. Kolle37 has a contract with the families of about 20 children to provide daycare on the playground but most children are free to come and go. 

The majority of the funding comes from The city of Berlin which provides for 3.5 full time equivalent staff which is used for 6 part time posts. The daycare group, of 20 children, funds another 1 full time equivalent post. The children who come to free play sessions are 6-16 years old. We ask about the reason behind the age limit; “They have to be over 6 because whilst the staff is responsible for everything they can't see everything. Younger children might not be able to perceive the dangers like loose planks or sticking out nails.”



We later come back to Kolle 37 to meet up with one of the playworkers. The site has 7 entrances so it is easy for children to come in and to leave but easy for adults too, we are asked to arrive just as the children are leaving. It's really important to Kolle37 to be an adult free space, so adults don't interfere with children's play processes, but also because of concerns about paedophiles or inappropriate adult behaviour. All adults on the site can be challenged as to why they are there.


"Parents corner." During the week parents are encouraged
 to spend time chatting with each other but away
 from the main part of the playground.

Marcus describes the way the playground works. “Every kid is welcomed and they try to find out their interests and tell them the rules such as don't climb on this particular roof. Some rules you can't put in a positive way. They can climb on all the other roofs but this one is not so safe.”
Every two weeks children and staff get together to talk about what is good, what is annoying and what rules work. Every person has one voice so the children can out-vote the pedagogues (the staff). There is a red, yellow and green card system similar to the one we saw in the playgrounds in Hamburg. Cards can be used as currency, yellow and red are given out for bad behaviour, green for good, which you can swap for more nails, more lunch, to make a phone call etc.

the rules
I am intrigued by this, we talked about similar systems on the playground I managed, the pros of being able to discourage behaviour that the staff found difficult to manage, the cons of unduly adulterising the children’s play process, the inconsistency of who got cards for what from the different staff members, the fact that the children who would buy in to such a scheme are not the ones who the staff needed to engage the most etc etc, the arguments went back and forth and we decided not to bring a scheme in. But here most of the playgrounds use this sort of scheme. Apparently the children here voted to remove this rule but when they found they couldn't use green cards to earn their lunch anymore it came back. 

The rules stay in place for at least a month. There is a mail box where they make suggestions based on things that come up during their play but rules are only discussed during meetings. Children can make petitions if they feel they are strongly attached to a particular rule or can't make the meeting. 


Sale of craft work made by children.
I did manage to get one of these back on the plane! 

The children come here by themselves after school, they have lunch and do homework before doing any projects they have in mind. There are special projects too at different times of year, like blacksmithing or the hut festival. I’m initially challenged by the idea of the hut building festival. One of the elements that we noticed on the Big Swing Adventure playground was the natural cycle of creation and destruction. The building of dens and treehouses which would gradually be abandoned and the materials ransacked for a better, more exciting project. This had a seasonal element, winter tended to be a time of destruction with the most fervent growth in spring.




The Hut Building festival at Kolle 37 means every hut was torn down and rebuilt at the same time.  Children work on one hut in the plan but they can change groups and huts at any time, they build the small model huts before hand they don't have to realise this plan exactly but it helps them plan how to make a hut. Each hut has the same space; 2m x 2m and they are limited to 4m in height. The kids have to dig a hole as deep as your knee for the posts to go into. Then the post goes in with rocks and is packed in well. Each hut gets 200 starting nails. It used to be 20 per person, but the children voted to change that.  When the hut is built they can spend a night in it. Occasionally children hide hammers so they can come and build in the evening. Occasionally they come in and destroy others houses but not so often. All much more structured than the processes I am used to.


 But when you explore the hut building area you can see how many huts they have managed to pack into what is in effect a tiny space, you sense the care and attention and skills these huts have been created with. Some look barely begun and are being built by very small children. Some are sophisticated and have complex security systems (I manage to overcome the most complex system for the best view by leaning a pallet against a wall and shimmying through a high window!) 



"Six years ago there was a very different social demographic. Kids needed something to do because they had nothing else." This is still true to some extent and some children are at Kolle37 all the times that it is open because they don't have a parent at home or because they don't have a parent who cares about them. There are an increasing number of children from more affluent families too, which was a challenge for staff but they have had a growing realisation that all children just need space to calm down and just because they have lots of lessons like piano or ballet they still need time and space to be themselves. 
“Here there is a levelling of the social structure because you will get dirty and you can't wear designer clothes everyday. You do need people to work together to make a hut.” 

Whatever they want to do they the staff help them realise it. 


For more about Adventure playgrounds in the UK;

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